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Step 02 · Seating

A plan, and an honest list of what it could not do.

Seating is a constraint problem that usually has no perfect answer. Most tools hide that by quietly dropping whichever rule was inconvenient. This one writes the failures down, next to the plan, every time it is opened.

Input
Tables, capacities, rules
Output
Table allocation
Also output
Constraints not met
Mixed sizes
Supported
Editing
Drag or type
Artwork
Floor plan included
The rule

Nothing is dropped in silence.

If you asked for two people to be apart and the arrangement puts them together, the plan says so, in the same view, with the reason. You may still accept it — but you will know.

A panel listing constraints that were met above a bordered section listing the constraints that could not be met
The lower section is the point of the screen, so it is not smaller than the upper one.
The prompt

Constraints in plain sentences, not a rules engine.

Prompt 02 · seatingWhat you type

I have 9 tables of 10 and 4 tables of 8. These people shouldn't be at the same table: [A and B], [C and D]. My grandmother needs to be near the door. Give me an arrangement and show me where you had to compromise.

What comes back, field by field
table_no / table_capacity
Table number and how many seats it holds.
seats[]
The guests at that table, referenced by their confirmed card name.
constraints_met[]
Every rule the arrangement satisfies, written back in your words.
constraints_broken[]
Every rule it could not satisfy, with the reason it broke. Never empty by omission — if it is empty, it is because nothing broke.
notes
Context you would otherwise have to work out, such as which table actually sits nearest the door.
Rewriting the constraints and running it again is normal. The plan is a draft until you say otherwise.
A grid of table cards each showing a table number, its capacity and the guests seated at it
Occupancy is shown per table, so an over-filled table is visible before the day.
Floor plan

The same plan, drawn.

Once tables are settled, the arrangement becomes artwork: a top-down plan with table numbers, the entrance marked, and the same type system as the cards. It exports on its own, and it is the first frame of the entrance guide video.

A top-down floor plan drawing of a reception room with numbered round tables and a marked entrance
No venue is named on the artwork, and no venue identity is reproduced.

Next: the card itself, and the numbers a printer asks for.